Julia Triston Textiles

Bra-ra Dresses

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Julia's Bra-ra Dresses are creating a bit of a storm in the media!

So far Julia has created three Bra-ra Dresses - have a look at the images on her dedicated website: www.bra-ra-dresses.com

The Bra-Ra Dresses are entitled 'We Fade to Grey', 'Little Black Number' and 'Wild at Heart'. All of these pieces were first shown at Fusion's exhibition on Identity at The Hartlepool Art Gallery, August 2008.

This series of work explores the issue of identity, and Julia uses donated women's underwear as a raw material to express her theme, celebrating the diverse shapes and sizes of our bodies.

The donated knickers were made into 'flags' and stitched to knicker elastic to form 90m of 'knicker bunting', entitled 'Push My Button'.

The Bra-ra Dresses and knicker bunting have recently been shown in London at the prism exhibition, in the Mall Galleries, and from the 2nd-4th April 2009 two of these dresses will be on display at Fusion's stand at the Pins & Needles Show, at the Newcastle Arena.

The Newcastle Evening Chronicle have covered Julia's Bra-ra Dresses - read the article here.

BBC Radio Newcastle  have also interviewed Julia about the Bra-ra Dresses - to hear the interview click here (it starts at 1hr 45 mins and 30 secs).

If you would like to donate to this project or would like to find out more information, please This email address is being protected from spambots. You need JavaScript enabled to view it.

IDENTITY – textile art with underwear!

As some of you know I have been collecting underwear to use as a raw material in my textile art work (in an alternative way!) to celebrate the diverse shape and size of us as women.


Earlier in 2008, I wrote to all the women I know – requesting them to send me their unwanted underwear - and got an amazing response and a wealth of donations (nearly 300!) The donations included knickers, bras, basques, camisoles, suspender belts, garters, vests…..what I received shaped what I created:


The knickers were all cut into two (front and back), or just a front for a thong/string!  I then sewed a button onto each side of the gathered gusset to give the knickers some weight, making them into ‘flags’.  The top edge of all the knickers were stitched onto knicker elastic to create knicker bunting! Currently there is approximately 90m of it, with 227 flags, and 454 buttons!   I have entitled this piece ‘Push My Button’ and every pair I was sent have been included – from the never worn to the worn out, and from the big and baggy to the virtually invisible! It caused quite a stir in the gallery before the exhibition even opened!  Watch out London!


I started by cutting out the bra wires (so many sizes!) so the bras would be easier to stitch.  I aim to do something with these at a later date.  I then cut the bras up and sewed them together.  The original idea was to make a patchwork quilt from bras, but as I began to make the quilt it became apparent that the ‘quilt’ was becoming quite three dimensional and could be viewed from different angles, rather than being hung on a flat wall.  I then held it up against me and started experimenting with garment shapes (I am a great fan of wearable art!)  So to cut a long story short, the bras were unpicked from the quilt and restitched to make three ‘Bra-ra dresses’.  Three donated basques have been used as the tops for the dresses.  There is a short black one (‘Little Black Number’), a multi-coloured one (‘Wild at Heart’), and a white one (‘We Fade to Grey’) which is long and has a bustle.


I asked everyone to give me a comment for these conceptual pieces and the stories received have been funny, moving and full of memories and comments on how our bodies change over the years.  This is what I wanted the piece to be all about, but I have not had time to match comment with underwear yet, but shall explore this as an addition for the London exhibition.

Phase Two

I am going to continue to make some more dresses and other pieces, so if you want to keep sending me your underwear please do so!!!  If you didn’t donate in phase one of the project, there is now another opportunity to do so.


Many, many thanks go to all the women who donated to this project – thanks for being so generous and brave.  The pieces I have created show intimacy, practicality, genuineness and display what is usually unseen, in a fun and alternative way.  I have really enjoyed creating them.